This inspired me to explore the potential of shadow puppets
for the 1896 Olympic sequence. The traditional approach of this music video
with a contemporary twist using modern visual methods for people, for example
using chains on the old lady’s hair, this also attracted me because of my
interest in materials and its role in contemporary image making.
I had never made or used shadow puppets before but was aware
of them especially those used in India but was much less aware of how they were
made.
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